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  Richie Hart
Greasy Street, with Rick Petrone, Joe Corsello & Dr Lonnie Smith


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Release Date: October 11, 2005
Selection #: 200511
 
Track Listing: Personnel:
1. Greasy Street 6:31
Richie Hart - Greasy Street


2. Frim Fram Sauce 5:50
Richie Hart - Greasy Street


3. Tyrone 5:56
Richie Hart - Greasy Street


4. Naima 5:21
Richie Hart - Greasy Street


5. East Coast Blues 6:08
Richie Hart - Greasy Street

  6. Third Plane 6:47
Richie Hart - Greasy Street


7. Recorda Me 5:29
Richie Hart - Greasy Street


8. Down Here on the Ground 4:40
Richie Hart - Greasy Street


9. Mellow Mood 6:43
Richie Hart - Greasy Street


10. I’ll See You in my Dreams 6:10
Richie Hart - Greasy Street

Richie Hart, electric & acoustic guitars
Rick Petrone, bass
Joe Corsello, drums

with

Clifton Anderson, trombone
Pete Levin, keyboards
Dr Lonnie Smith, Hammond B 3 organ
Jerry Weldon, tenor sax

Dr. Lonnie Smith appears courtesy of Palmetto Records, Inc.
The Richie Hart Trio with Rick Petrone and Joe Corsello evolved into existence in 2002. Petrone and Corsello had played together in a variety of groups since the late '60s. A few years ago, they began working alongside Hart in trumpeter Mark Morganelli's group. A rapport quickly developed and when Tom Jung urged them to cut an album, the result was "Timeless" released on their own Hohenberger Music label. Soon they started touring, concentrating on New York and Boston clubs and a string of New England jazz festivals.
George Benson, a longtime supporter of his protégé Richie, brought them to his studio the following year to begin a second album. That session was the seed of what would become their first Zoho release "Blues In The Alley". The band's biographies are well detailed by Bill Milkowski on that release.
On "Blues In The Alley" guest artists Gerry Niewood on reeds and Pete Levin on keyboards were brought in to expand the trio's sound on a number of tunes. For this album, Levin, best known for his years with Gil Evans, returns to flesh out arrangements on electric piano and organ on six tunes. On three more, the great Dr. Lonnie Smith lends his soulful organ. Tenor saxophonist Jerry Weldon, whose credits include Lionel Hampton, Jack McDuff and Harry Connick, Jr. and who has recorded four albums of his own since 1993, is featured on four tunes.
Trombonist Clifton Anderson is internationally known through his association with the legendary Sonny Rollins whose band he joined in 1983, and with whom he recorded eight albums.
This trio is distinguished not only by its members' playing and their collective sound but also by their remarkably eclectic selection of material that ranges from originals to standards to swing tunes and modern jazz compositions by the masters.
"Greasy Street" by Petrone and Corsello artfully blends the soul jazz idiom with New Orleans second-line funk, a wonderful, compatible fusion that dates back to Jack McDuff's 1970 album "Who Knows What Tomorrow Gonna Bring" with arranger Ray Draper. Dr. Lonnie and Weldon are present as is trombonist Clifton Anderson whose instrument adds the flavor of an earlier kind of New Orleans music.
"Frim Fram Sauce" was a novelty hit for the King Cole trio in 1946. Most versions take their cues from Cole's approach. But Hart and company take the musical meat of the tune, brighten the tempo and turn it into a great, solid 4/4 swing vehicle. Pete Levin is on organ and Jerry on tenor. Hart's solo is a wonder, drawing inspiration from Les Paul as much as from Wes Montgomery. Petrone and Weldon follow.
Richie Hart loves to write blues as much as he loves to play them. "East Coast Blues" is his contribution to this project and his solo is an example of fluid invention. Weldon, dipping into the Illinois Jacquet bag, and Dr. Lonnie get off fine solos as well.
Another oft-covered song that gets a fresh overhaul from trio is John Coltrane's "Naima". Petrone fashions a wonderful bass line; Corsello sets the rhythm in light bossa beat and Hart uses both electric and acoustic guitars to render the melody with an almost tango-like sway. Pete Levin is on electric piano. (Check out this band's reinvention of Coltrane's "Black Pearls" on "Blues In The Alley.")
Organist Larry Young first introduced "Tyrone" his 6/8 composition with lilting, floating melody on his 1964 album "Into Somethin'" with Grant Green on guitar, It has been a favorite of guitarists and organist ever since with notable versions by Larry Coryell with John McLaughlin, Steve Khan, and Big John Patton. Here they take it a faster-than-customary tempo with Lonnie Smith taking a great first solo, followed by an inspired Richie. Weldon doesn't solo, but his reading of the theme is reminiscent to that of Sam Rivers on Young's original version.

Richie Hart and Dr. Lonnie Smith at the recording sessions at the Carriage House, Stamford, CT, on June 12, 2005.

Ron Carter introduced his "Third Plane" on a 1977 album of the same name with Herbie Hancock and Tony Williams. The tune soon became a staple in VSOP's band book. This trio with Levin added on organ doesn't change the composer's arrangement but takes it at a slower pace that finds a nice pocket. Hart, Petrone and Corsello all solo beautifully.
Lalo Schifrin's "Down Here On The Ground" comes from the 1967 film "Cool Hand Luke." In the jazz field, there were successful covers by Lou Rawls, Gloria Lynne, Gerald Wilson and Oscar Peterson, but the most influential versions have been by guitarists Wes Montgomery and Grant Green. This version features Richie all the way with effective accompaniment by his own acoustic guitar and Pete Levin's organ.
The beautiful standard "I'll See You In My Dreams" was introduced in 1924 and quickly covered by Fletcher Henderson and Red Nichols. It has been in the jazz canon ever since, though usually played by more trad-oriented musicians. The trio takes it at a relatively brisk tempo and swings it nicely. Check out Hart's chordal accompaniment of himself on acoustic guitar throughout.
Joe Henderson's 1963 debut album "Page One" introduced two jazz standards - his "Recorda Me" and Kenny Dorham's "Blue Bossa" - which for the first time effectively combined the muscle of hard bop with Brazilian bossa nova rhythms of the day. With Pete Levin added on electric piano and an overdubbed acoustic guitar part, the trio tackles "Records Me" (Portuguese for remember me). Richie stretches out with a seemingly endless flow of ideas.
Jimmy Smith's "Mellow Mood" was written for his 1966 summit meeting with Wes Montgomery. With the same instrumentation as "Recorda Me," the trio gives this a lighter, more lyrical reading than the original while retaining the bossa feeling. Levin gets his only solo of the session.
Dr. Lonnie Smith, Pete Levin and Jerry Weldon contribute mightily to this album, but the heart and core of the music is the trio of Richie Hart, Rick Petrone and Joe Corsello. And if you can catch them, I strongly suggest you do so.

- Michael Cuscuna

Recorded at Carriage House Studios, Stamford CT in 2005. Engineered by Richie Corsello. Re-mixed and mastered at The Firehouse, Stamford CT by Richie Corsello. Produced by Richie Hart, Rick Petrone & Joe Corsello. Photography Sergio Royzen. Package Design 3+Co. (www.threeandco.com) Executive Producer: Joachim Becker.

Richie Hart bookings : JoAnne Jimenez, The Bridge Agency (718) 522-5107 BridgeA@earthlink.net
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